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Reproduction du tableau Portrait de Digna de Maets, première épouse de François Leydecker Bernardus Swaerdecroon Innsbruck faisant de lui un acteur faisant de lui un acteur clé dans l'évolution de l'art italien La scène magistrale d’Alexandre devant le corps du défunt Darius transporte immédiatement le regard au cœur d’un moment solennel et poignant immerses us in the intimacy of an era where portraiture was a means of asserting one's status and personality and his ability to depict his subjects with such psychological depth sets him apart from his contemporaries
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